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Notice

AISB event Bulletin Item

CFP: EvoMUSART 2009

http://evostar.na.icar.cnr.it/EvoWorkshops/EvoMUSART/EvoMUSART.html

FIRST CALL FOR PAPERS

EvoMUSART 2009

7th European Workshop on Evolutionary and Biologically Inspired Music,
Sound, Art and Design

15-17 April, 2009, Tubingen, Germany

http://evostar.na.icar.cnr.it/EvoWorkshops/EvoMUSART/EvoMUSART.html
http://www.evostar.org

----------------------------------------------------------------------------
INTRODUCTION
----------------------------------------------------------------------------

EvoMUSART 2009 is the seventh workshop of the EvoNet working group on
Evolutionary Music and Art. Following the success of previous events
and the growth of interest in the field, the main goal of EvoMUSART
2009 is to bring together researchers who are using biologically
inspired techniques for artistic tasks, providing the opportunity to
promote, present and discuss ongoing work in this area.

The workshop will be held from 15-17 April, 2009 in Tubingen, Germany
as part of the EvoStar event.

Accepted papers will be presented orally at the workshop and included
in the EvoWorkshops proceedings, published by Springer Verlag in the
Lecture Notes in Computer Science series.

----------------------------------------------------------------------------
TOPICS OF INTEREST
----------------------------------------------------------------------------
The papers should concern the use of biologically inspired techniques -
e.g. Evolutionary  Computation, Artificial Life, Artificial Neural
Networks, Swarm Intelligence, etc. - in the scope of the generation,
analysis and interpretation of art, music, design, architecture and other
artistic fields. Topics of interest include, but are not limited to:

- Generation
    o Biologically Inspired Design and Art-Systems that create drawings,
      images, animations, sculptures, poetry, text, objects, designs,
      webpages, buildings, etc.;
    o Biologically Inspired Sound and Music - Systems that create music,
      sounds, instruments, voices, sound effects, sound analysis, etc.;
    o Robotic Based Evolutionary Art and Music;
    o Other related generative techniques;
- Theory
    o Computational Aesthetics, Emotional Response, Surprise, Novelty;
    o Representation techniques;
    o Surveys of the state-of-the-art in the area; identification of
      weaknesses and strengths; comparative analysis and classification;
    o Validation methodologies;
    o Studies on the applicability of these techniques to related areas;
    o New models designed to promote the creative potential of
      biologically inspired computation;
- Computer Aided Creativity
    o Systems in which biologically inspired computation is used to
      promote the creativity of a human user;
    o New ways of integrating the user in the evolutionary cycle;
    o Analysis and evaluation of: the artistic potential of biologically
      inspired art and music; the artistic processes inherent to these
      approaches; the resulting artifacts;
    o Collaborative distributed artificial art environments;
- Automation
    o Techniques for automated fitness assignment;
    o Systems in which an analysis or interpretation of the artworks is
      used in conjunction with biologically inspired techniques to produce
      novel objects;
    o Systems that exploit biologically inspired computation to perform
      the analysis of image, music, sound, sculpture, or some other types
      of artistic object;

----------------------------------------------------------------------------
ADDITIONAL INFORMATION AND SUBMISSION DETAILS
----------------------------------------------------------------------------
Submit your manuscript, at most 10 A4 pages long, in Springer LNCS format
no later than November 5, 2008. Formatting instructions available at:

http://www.springer.com/dal/home/computer/lncs?SGWID=1-164-7-72376-0&teaserId=45515&CENTER_ID=73062)

The papers will be peer reviewed by at least three members of
the program committee. Authors will be notified via email on the
results of the review by December 20, 2008.

The authors of accepted papers will have to improve their paper on the
basis of the reviewers' comments and will be asked to send a camera
ready version of their manuscripts, along with text sources and
pictures, by January 8, 2009. The accepted papers will appear in the
workshop proceedings, published in Springer LNCS Series, which will be
available at the workshop.

Further information, including the Online Submission Details, can be found
on the following pages:
    Evo*2009: http://www.evostar.org
    EvoMUSART2009: http://evostar.na.icar.cnr.it/EvoWorkshops/EvoMUSART/EvoMUSART.html


----------------------------------------------------------------------------
IMPORTANT DATES
----------------------------------------------------------------------------
Submission:         5 November 2008
Notification:       20 December 2008
Camera ready:       8 January 2009
Workshop:           15-17 April 2009

----------------------------------------------------------------------------
PROGRAMME COMMITTEE
----------------------------------------------------------------------------

Alain Lioret, Paris 8 University, France
Alan Dorin, Monash University, Australia
Alejandro Pazos, University of A Coruna, Spain
Amilcar Cardoso, University of Coimbra, Portugal
Andrew Gildfind, Google, Inc., Australia
Andrew Horner, University of Science & Technology, Hong Kong
Anna Ursyn, University of Northern Colorado, USA
Antonino Santos, University of A Coruna, Spain
Artemis Sanchez Moroni, Renato Archer Research Center, Brazil
Bill Manaris, College of Charleston, USA
Brian Ross, Brock University, Canada
Christian Jacob , University of Calgary, Canada
Colin Johnson, University of Kent, UK
David Hart, Independent Artist, USA
Erwin Driessens, Independent Artist, Netherlands
Gary Greenfield, University of Richmond, USA
Gary Nelson, Oberlin College, USA
Gerhard Widmer, Johannes Kepler University Linz, Austria
Hans Dehlinger, Independent Artist, Germany
James McDermott, University of Limerick, Ireland
John Collomosse, University of Bath, UK
Jon Bird, University of Sussex, UK
Jonatas Manzolli , UNICAMP, Brasil
Jorge Tavares, University of Coimbra, Portugal
Juan Romero, University of A Coruna, Spain
Luigi Pagliarini, Pescara Electronic Artists Meeting & University of Southern Denmark, Italy
Maria Verstappen, Independent Artist, Netherlands
Matthew Lewis, Ohio State University, USA
Mauro Annunziato, Plancton Art Studio, Italy
Nicolas Monmarch, University of Tours, France
Paul Brown, University of Sussex, UK
Paulo Urbano, Universidade de Lisboa , Portugal
Peter Bentley, University College London , UK
Philip Galanter, Texas A&M College of Architecture, USA
Rafael Ramirez, Pompeu Fabra University, Spain
Rodney Waschka II, North Carolina State University, USA
Simon Colton, Imperial College, UK
Somnuk Phon-Amnuaisuk, Multimedia University, Malaysia
Stefano Cagnoni, University of Parma, Italy
Tim Blackwell, Goldsmiths College,  University of London, UK
William Latham, Art Games Ltd, UK

----------------------------------------------------------------------------
STEERING COMMITTEE
----------------------------------------------------------------------------
Penousal Machado
University of Coimbra, Portugal
Machado AT dei DOT uc DOT pt

Juan Romero
University of A Coruna, Spain
jj AT udc DOT es

Jon McCormack
Monash University
Jon DOT McCormack AT infotech DOT monash DOT edu DOT au

----------------------------------------------------------------------------
WORKSHOP CHAIRS
----------------------------------------------------------------------------
Penousal Machado
University of Coimbra, Portugal
Machado AT dei DOT uc DOT pt

Jon McCormack
Monash University
Jon DOT McCormack AT infotech DOT monash DOT edu DOT au