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Notice

AISB event Bulletin Item

CALL FOR PAPERS: 'The Culture of the Artificial' symposium, AISB-‐50, 1-‐4 April 2014Goldsmiths, London, UK

http://computationalculture.net/cfps-events


The Culture of the Artificial symposium, at AISB-‐50, Goldsmiths, London, 1-‐4 April 2014
 
As part of the AISB-‐50 Annual Convention 2014 to be held at Goldsmiths, University of London, on 
April 1st-4th 2014 http://aisb50.org/
 
The convention is organised by the Society for the Study of Artificial Intelligence and Simulation of 
Behaviour (AISB)
 http://www.aisb.org.uk/
 
 
Overview
 
In 1964, when AISB was founded, computing was largely associated with the repetitive operations of 
the large mainframe machines employed by the military, by industry and by space programmes. Alan 
Turing, who had died prematurely just a decade before, had formalised the notion of what it means 
to compute in his seminal work of 1936, and in 1950 he had speculated again as to the association 
between computation and mental operations. Yet in 1964, the mechanisation of computation through 
digital means was generally only familiar to the scientist, the businessman and the maverick. 
Today, by contrast - half a century later - much has changed: from taking a phone call or a picture,
from shipping goods to organising labour, without risk of exaggeration one could say that few 
activities in the contemporary world can evade the computational altogether. To all intents and 
purposes, we live in a computational culture, many of the principles and possibilities of which 
were established and reinforced in those mid-century explorations from which the AISB originated.
 
In this symposium we take computational culture as our topic and object of enquiry. We argue for 
the existence of a specific culture of the artificial, to paraphrase Herbert Simons expression, 
and contend that its foundations, limits and potentials can be best approached and analysed only 
if this artificiality is granted the possibility not just of imitating, amplifying or speeding up 
the cultural, the societal, and the economic but of producing them in its own terms, times and 
modes. The Culture of the Artificial symposium will therefore bring together cultural theorists, 
philosophers, scientists, mathematicians and practitioners to investigate how computational 
artificiality and algorithmic simulation are not simply passive markers of 21st century culture, 
but amongst its most active players and decision-makers. For this symposium we invite contributions
that engage with the theoretical and historical foundations and implications of this scenario, 
and possibly help to define strategies and methodologies for understanding its future developments.
 
This event thus aims to move beyond general arguments about the rapidity and power of the 
information society, about the distribution of computational technology or about the 
commercialization of the Internet (factors that have, for material as much as ideological reasons, 
certainly contributed to the establishment of computational culture as such). Similarly, we want 
to move beyond some of the traditional critiques of the artificial and of the simulated that have 
been perpetuated, at various points, by cultural theory. Cyberculture, digital media, 
information revolution are familiar cultural tropes, synecdoches for something more significant; 
computation was a component part of all of them, but now needs to be studied in its own peculiarity
and distinctiveness. Making this claim of course does not equate to advocating a nave embrace of 
the rationalization and quantification of life and society, but actually asks us to be even more 
attentive to and critical towards the detail and operation of such dynamics.
 

The event is organized in the context of the Society for the Study of Artificial Intelligence and 
Simulation of Behaviour annual convention due to two main motives. On the one hand, we argue for 
historical and conceptual resonances between the emerging condition of a computational culture and 
the development of the AI programme: the former arguably stemmed from the contingencies and 
formalisms that the latter initiated or participated in.  Equally, the condition of computational 
culture shares much of the hopes, fears, sensibilities and practicalities of the broad AI field 
and its historical precedents.  Software studies approaches drawing on computing, media and 
cultural theory, philosophy, art, science and technology studies are means of attending to these 
resonances. 
 
Our second motive is more methodological: computational culture is a culture where notions of the 
artificial and the natural blur, where science and the humanities converse, where the empirical 
and the formal clash, but in which each needs and tangles with the other. Equally, computation 
produces fully-fledged ontologies and epistemologies, many of which originated in primarily 
technical contexts but are now active as and with cultural forms in their own right.  This 
condition creates a novel context for the understanding of forms of intelligence and behaviour 
and for the development of new research programmes operating in a fully inter-disciplinary or 
post-disciplinary manner.
 

 
Topics of Interest
 
We welcome submissions from various fields of expertise and areas of research related to the 
rationale of this event. Topics include, but are definitely not limited to:
 
 
 Software Studies analyses of historical artificial intelligence and simulated behaviour artefacts;

Critical and philosophical analyses of the legacy and achievements of Alan Turing in relation to culture;

Developments in modes of collaboration and mutual problematisation between cultural theory and artificial intelligence and robotics (such as for instance the Critical Technical Practice proposed by Philip Agre);

Artificiality and simulation as modes of speculative culture;

The cultural and political conditions of the pursuit of AI agendas in the generalization of computational forms of life;

Speculative possibilities for a theoretical and practical exploration of what intelligence is or might be said to be in relation to the computational turn in culture.


 
Submission and Publication Details
 
Submissions must be full papers and should be sent to: cultureoftheartificialATgmail.com
 
 
Text editor templates from a previous convention can be found at:
 
http://www.aisb.org.uk/convention/aisb08/download.html
 
 
We request that submitted papers are limited to 2000 words. We will provide fast feedback on 
whether a paper is accepted or not.  Each accepted paper will receive at least two reviews. 
Selected papers will be published in the general proceedings of the AISB Convention, with the 
proviso that at least ONE author attends the symposium in order to present the paper and 
participate in general symposium activities.

 
Papers successfully submitted and presented will be considered for further development towards
inclusion in a special issue of the online open-access peer-review journal Computational Culture, 
a journal of software studies: http://www.computationalculture.net/
 
 
Important Dates
 
 
 0. Full paper submission deadline: 3 January 2014

0.Notification of acceptance/rejection decisions: 3 February 2014

0.Final versions of accepted papers (Camera ready copy): 24 February 2014 
0.Convention: 1-‐4 April 2014 [confirmation of symposium dates tbc] 


 
Additional Information
 
Please note that there will be separate proceedings for each symposium, produced before the 
convention. Each delegate will receive a memory stick containing the proceedings of all the 
symposia. In previous years there have been awards for the best student paper, and limited 
student bursaries. These details will be circulated as and when they become available. Authors 
of a selection of the best papers will be invited to submit an extended version of the work to 
a journal special issue.

 
Symposium Chairs
 
Prof. Matthew Fuller (Centre for Cultural Studies, Goldsmiths) and M. Beatrice Fazi (Centre 
for Cultural Studies, Goldsmiths)

 
Organising Committee
 
M. Beatrice Fazi, Matthew Fuller & Luciana Parisi, Digital Culture Unit, Centre for Cultural 
Studies, Goldsmiths, University of London
 
Computational Culture Editorial Group, Matthew Fuller (Goldsmiths), Olga Goriunova (Warwick), 
Andrew Goffey (Nottingham), Graham Harwood (Goldsmiths), Adrian Mackenzie (Lancaster).
 

Symposium Website
 
http://computationalculture.net/cfps-events