| The Functioning of Tropic Communication: A Mechanism for Consistent Figurative Descriptions for Artistic Effect,D. Billinge & T. Addis |
| Optimality Principles for Conceptual Blending: A First Computational Approach,F.C. Pereira & A. Cardoso |
| Creative Abduction as Active Shaping of Knowledge: Epistemic and Ethical Mediators,L. Magnani |
| Music Generation from Statistical Models,D. Conklin |
| Symbolic Pointillism: Computer Art motivated by Human Perception,N. Kruger & F. Worgotter |
| Swarm Music: Improvised Music with Multi-Swarms,T.M. Blackwell |
| Natural Language Generation from Concepts Blends,F.C. Pereira & P. Gervas |
| A connectionist approach to driving chord progressions using tension,A.F. Melo & G. Wiggins |
| A n-gram approach to fugal exposition composition,A. Craft & I. Cross |
| An empirical comparison of the performance of PPM variants on a prediction task with monophonic music,M. Pearce & G. Wiggins |
| Computational creativity by structural analogy between acoustic bayesian models,M.A. Casey |
